presented Sept 7-19 at SOP (MFA 2022 State of Practice Exhibition at Emily Carr University of Art + Design) 12 minute looping track Materials: 360 degree sound edit, voice, movement, ambisonic sound, and binaural recordi

     The piece is enclosed in a small, white-walled room, about fifteen by twenty feet, with one closed door and no windows. The audience enters a dark room with a sliver of light which splits the darkness at the cen

A note on Sound Shadows I create sound shadows with a source blocking technique that uses the audible interference produced by my moving body partially obstructing the reception of sound by a recording device. The conjec

    “Making Room for Resonance,” Sound Installation, RBC Media Gallery, 2022. Making Room for Resonance: a space for sonic illusion and sensation Exploring Spatial-Tactile Sounds in a Gallery Setting Th

Sonic Surfaces: one, two & three   Materials: Found wooden surfaces, audio transducers, looping sound.   The sonic surfaces series is a continuation of work developed for my thesis exhibition “Making Room

  can we make the same sound using different movement?How much relaxation is needed  to listen more deeply…? to stay engaged? how much repetition clarifies? and how much then, develops?   Studio showing: a s

Breathing Room is a reflection of the moments between, caught in space and time. Acknowledging what is between here and there; inside and outside; past present; mine and yours; me and you, is evidence of the story that i

“How Do You Here Me?” 50-minute spatial sound installation created though an artistic residency at Lobe Studio, one of three spatial sound studios in the world to use 4DSOUND technology.     “