presented Sept 7-19 at SOP (MFA 2022 State of Practice Exhibition at Emily Carr University of Art + Design) 12 minute looping track Materials: 360 degree sound edit, voice, movement, ambisonic sound, and binaural recordi

     The piece is enclosed in a small, white-walled room, about fifteen by twenty feet, with one closed door and no windows. The audience enters a dark room with a sliver of light which splits the darkness at the cen

A note on Sound Shadows I create sound shadows with a source blocking technique that uses the audible interference produced by my moving body partially obstructing the reception of sound by a recording device. The conjec

    “Making Room for Resonance,” Sound Installation, RBC Media Gallery, 2022. Making Room for Resonance: a space for sonic illusion and sensation Exploring Spatial-Tactile Sounds in a Gallery Setting Th

Sonic Surfaces: one, two & three   Materials: Found wooden surfaces, audio transducers, looping sound.   The sonic surfaces series is a continuation of work developed for my thesis exhibition “Making Room

Breathing Room is a reflection of the moments between, caught in space and time. Acknowledging what is between here and there; inside and outside; past present; mine and yours; me and you, is evidence of the story that i

“How Do You Here Me?” 50-minute spatial sound installation created though an artistic residency at Lobe Studio, one of three spatial sound studios in the world to use 4DSOUND technology.     “